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Why Compose When You Can Play the Piano?

At the piano, where improvisation, composing, and listening come together—and where one musical thought can grow into something much larger.

My Beginning

When I was in high school, all I wanted to do was play music.Gradually, that led to my desire to become a full-time professional jazz musician.

Although I had written a bossa nova and recorded it with the group I was playing with at the time, I didn’t think much about composing.


A Turning Point

When I was a junior in college, I had the opportunity to jam with the world-famous jazz organist Jimmy Smith.

Based on my performance, I was offered the chance to record—if I could compose two jazz pieces in the two weeks following the jam.

I met the deadline.

There was no recording after all.

That may sound disappointing, but something important had already happened:my interest and motivation to compose had been ignited.

Over the next two years, I wrote many jazz compositions, which my quartet performed.

Another Door Opens

At the same time, I was taking music theory and history classes.

One assignment was to compose a short piece of chamber music.

I wrote a brief trio for flute, cello, and piano, which we performed in class.

I was never the same after that.


A Long-Standing Pull

Although I continued composing and performing jazz for several years, my desire to write classical music never left me.

Twenty years later, I finally stepped fully into composing when I studied at the New England Conservatory with William Thomas McKinley.

Composing Changes Everything

Lest you think I gave up other parts of my musical life—I did the opposite.

Composing deepened everything:

  • My understanding of music

  • My teaching

  • My work as a church musician

  • My solo piano playing

It all became richer, more connected, more alive.

A Pause—and a Return

After sixteen years of composing—writing chamber music, orchestral works, and choral pieces—I stopped.

Life, career, and personal circumstances intervened.

Seventeen years passed.

After retiring as Music Director of the Hartford Street Presbyterian Church—a position I held for 41 years—I returned to composing.

And as you might expect, the passion came back stronger than ever.

Why Compose?

Before writing this article, I asked myself:

Why compose when you can play the piano?

And then other questions followed:

  • Why paint?

  • Why write—poetry, short stories, books?

  • Why play an instrument?

  • Why act in a play?

  • Why sing in a choir?

  • Why dance?

Two Ways of Creating

If we look closely, we can divide these into two broad kinds of creative expression.

1. Private (Introverted) Creative Work

Composing, Painting, Writing

These forms result in something created:

  • A composition

  • A painting

  • A story

You work on them alone, over time.The process is private. The result is shared later.


2. Real-Time (Extroverted) Creative Expression

Playing an instrument, acting, singing in a choir, dancing

Here, the act of creation happens in real time and is shared as it unfolds.

An Important Connection

These are not separate worlds.

The “introverted” arts—composing, painting, writing, even arranging or choreography—can exist within real-time creative work.

I have experienced this for years.

Composing has enriched everything else I do:

  • My jazz piano playing

  • My writing (books and blogs)

  • My teaching

So… Why Compose?

Because it allows you to create something that did not exist before.

Because it deepens how you hear, think, and feel music.

Because it changes how you play.

Because it connects you more fully to your own creative voice.

Final Thought

You can play beautiful music written by others.

But when you compose—even something small—you step into a different relationship with music.

You are no longer only interpreting.

You are creating.

Interested in Exploring Composition?

If you are an adult student with some musical background and have ever been curious about composing, I would love to help you begin.


One-on-one guidance for composers at any stage—whether you’re just beginning, returning after time away, or developing your own musical voice.


🎹 Piano Lessons https://www.mascaripiano.com/piano-lessons Personalized piano instruction for adults and students of all levels, grounded in musical understanding, technique, and expressive playing.


Free Consultation  https://www.mascaripiano.com/contact Not sure where to start? Schedule a free consultation to talk about your goals, questions, and the best path forward for you.


Explore complimentary courses designed to spark creativity, build confidence, and help you reconnect with your musical curiosity.


Awakening the Composer Within You book for adult composition and piano students


About Diana Mascari

Composer, Author, Jazz Pianist 

and Teacher of Piano and Composition


Diana Mascari is a composer, pianist, educator, and author whose work bridges classical, jazz, and contemporary music, with a deep commitment to creativity as personal expression. With decades of experience as a performer and teacher, she is passionate about helping musicians reconnect with curiosity, confidence, and their own creative voice.


She is the author of two books on music and creativity, including

Awakening the Composer Within You which is published and available on Amazon https://a.co/d/07wjywBB and

Reawakening the Music Within You which is published and available on Amazon https://a.co/d/5SW5HhN


For information about piano and composition lessons, free consultations, free courses, and additional resources, visit her website at www.mascaripiano.com

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